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If you call the number on Captain Marvels phone booth, you get directed to a sex line

Captain Marvel is giving us all the Easter eggs (Picture: Marvel Studios)

The Captain Marvel teaser..

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Captain Marvel is giving us all the Easter eggs (Picture: Marvel Studios)

The Captain Marvel teaser poster is the gift that just keeps on giving.

Brie Larson used her character Carol Danvers to urge fans to vote in the US midterm elections, posting a picture of the hero in a phone booth surrounded by Rock The Vote posters.

The 29-year-old captioned the Instagram post: CAPTAIN MARVOTE IS A BAD PUN BUT NOW THAT I HAVE YOUR ATTENTION PLEASE VOTE TOMORROW.

While we got a sneak peek at Captain Marvel and people were encouraged to vote – winners all round – the real treat was in the hidden details in the photo, which turned out to be a gateway to filth.

Eagle-eyed Marvel fans squinted and zoomed in really hard to check out the number on the phone booth, figuring out it said 1-800-654-2192.

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Redditor anisol11, who apparently has an impressive knowledge of all things Disney, realised that this number was previously used as The Tipton Hotels phone number in The Suite Life of Zack & Cody.

It turns out ABC held this number to use in their show, and if viewers called it, they would be greeted by a message: Thank you for calling ABC. The number you have reached is a fictional, non-working number used for motion picture and television productions.

However, heres where the plot of this already pretty deep dive thickens.

The Suite Life cast

The number was used in The Suite Life Of Zack & Cody (Picture: Craig Sjodin/Disney Channel via Getty Images)

Some Marvel fans gave the Captain Marvel number a ring – and its now a sex line.

Unless Captain Marvel is going to take a saucy twist, we reckon the number may have escaped from ABCs grip.

One person on the Reddit thread wrote: I tried calling and it was a sex talk hotline lol, while another agreed: Its a sex hotline. Not even kidding.

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Apparently, callers heard the message: Welcome to Americas hottest talk line. Guys, hot ladies are waiting to talk to you, press one now. Ladies, to talk to interesting and exciting guys free, press two to connect free now.

In the interest of journalism, we gave the number a call and its now been deactivated, so you can all rest easy.

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This is the second Easter egg to come from this harmless Captain Marvel picture – the posters in the pic suggest that the blockbuster will be based in 1991 or 1992, which supports the theory that Tony Stark will be forced to sacrifice his parents to reverse the Thanos snap.

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DOC NYC: A Little Wisdom, Barbara Rubin & The Exploding NY Underground Among Winners

DOC NYC unveiled the winners for their ninth annual festival. A Little Wisdom, Barbara Rubin & the E..

DOC NYC unveiled the winners for their ninth annual festival. A Little Wisdom, Barbara Rubin & the Exploding NY Underground and Short In the Absence won gran jury prizes while Out of Omaha nabbed the Audience Award. This years DOC NYC kicked off November 8 and concludes on the 15. The winners were announced tonight during a ceremony at the Flatiron Room in Manhattan.

This years event included 137 feature-length films with a late addition of the world premiere of the Aretha Franklin concert film Amazing Grace. It also featured 93 short documentaries. Three juries selected films from each of the festivals Viewfinders, Metropolis and Shorts sections to recognize for their outstanding achievements in form and content. The audience casted their votes for the DOC NYC Audience Award from the Viewfinders and Metropolis sections, and a panel of industry professionals voted to select the winner of this years DOC NYC PRO Pitch Perfect Award, given to a work-in-progress.

Read the full list of winners below.

Viewfinders Competition
The jury selected from among nine films in this section, chosen by the programmers for their distinct directorial visions.

Grand Jury Prize Winner: A Little Wisdom, directed by Yuqi Kang, centers on a Tibetan Buddhist monastery where young novice monks try to balance rituals and discipline with the distractions of modern life and childhood.

Metropolis Competition
The jury selected from among seven films in this section, which is dedicated to stories set in New York City.

Grand Jury Prize Winner: Barbara Rubin & the Exploding NY Underground, directed by Chuck Smith, is the untold story of an influential figure who defied sexist conventions and enabled surprising connections in the 1960s New York underground film scene.

Shorts Competition
All short films featured in the festival (with the exception of the DOC NYC U student showcases) were eligible for this jury prize.

Grand Jury Prize Winner: In the Absence, directed by Seung-Jun Yi, is an unflinchingly honest look at the Sewol Ferry Disaster in South Korea.

Special Mentions: Obon, directed by Andre Hoermann and Anna Samo, and King of the Night, directed by Molly Brass and Stephen Tyler.

Audience Award
Determined by audience voting at the primary screening of each film in the Metropolis and Viewfinders competitions.

Winner: Out of Omaha is a coming-of-age tale of twin African-American brothers filmed over eight years by director Clay Tweel (Gleason) and executive produced by musician J. Cole.

DOC NYC PRO Pitch Perfect Award
Recognized the best pitch given during DOC NYC PROs Pitch Perfect Day, based on the pitch itself, as well as the viability of the project, and was determined by industry professionals taking part in the daylong pitch event.

Winner: Civil War (or, Who Do We Think We Are), directed by Rachel Boynton, explores how America remembers the Civil War and what the stories we tell reveal about who we are, revealing a picture of contemporary society and our persistent conflicts within.

IF/Then Shorts Northeast American Pitch Award
New this year, in partnership with Tribeca Film Institute, the IF/Then Shorts Pitch at DOC NYC invited six filmmaking teams to pitch their short documentary projects focusing on stories of the American Northeast. One project was selected by an industry jury to receive up to $20,000 in completion funding, free post production services (provided by Sim NY), and the opportunity to participate in Tribeca Film Institutes IF/Then Shorts distribution initiative.

Winner: Mizuko (Water Child), directed by Kira Dane and Katelyn Rebelo.

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Disney Offers A Behind-The-Scenes Glimpse Into The Making Of Ralph Breaks The Internet

Walt Disney Animation Studios

Walt Disney Animation Studios used the Wall Street Journa..

Walt Disney Animation Studios

Walt Disney Animation Studios used the Wall Street Journals technology conference to talk about how animators portrayed the internet in the film Ralph Breaks the Internet: Wreck-It Ralph 2 and build some Silicon Valley buzz for its Nov. 21 opening.

Producer Clark Spencer said the internet provided an intriguing environment for the films two central characters, Ralph (voiced by John C. Reilly) and Vanellope (Sarah Silverman), to explore, as they search for a replacement part for Vanellopes broken arcade game, Sugar Rush.

“The internet has two sides to it. It has this incredibly powerful side that connects people,” Spencer said. “It also has that dark side that preys on peoples insecurities. It was that duality that appealed to us.”

The film represents the internet as a vertical place, where websites are stacked one on top of the other. Defunct sites, like GeoCities and Napster, inhabit a subterranean “oldernet.” Below that lurks the darknet, a nefarious place populated with credit card numbers and mothers maiden names and inhabited by tricksters.

The modern internet is a shinier, bustling place occupying the surface.

Artists drew design inspiration from a visit to the data center at One Wilshire Blvd, a building that houses internet connections for the entire West Coast, with tens of thousands of computer servers and miles of cabling connecting the region with the Asia-Pacific.

“It inspired the development team to think of the internet as a city,” Spencer said. “The various sidewalks are connection points.”

The film finds playful ways to represent familiar internet services like Ebay, which is depicted as a cavernous, neon-lit auction house with gavel-wielding auctioneers driving up the bidding as the time runs down.

BuzzFeed and YouTube appear as a conglomeration, BuzzzTube, a social media platform that distributes viral videos — and dishes out some pretty harsh comments.

“On the internet, do not read the comments,” Shank (Gal Gadot) advises tells Ralph in one scene. “I should have told you that. This place can bring out the worst in people.”

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Director Lukas Dhont Talks Netflix Drama Girl, Opening A Dialogue With Trans Community – Awardsline Screening Series

As Belgiums submission for this years Foreign Language Oscar race, the Lukas Dhont-directed drama Gi..

As Belgiums submission for this years Foreign Language Oscar race, the Lukas Dhont-directed drama Girl tells the story of Lara (Victor Polster), a 15-year-old girl born in a boys body committed to becoming a professional ballerina. The film, which is Dhonts debut feature and based on a real-life woman named Nora, premiered at Cannes and won the Camera dOr and earned Polster a Best Performance nod. It was also acquired by Netflix for North and Latin America. During an Awardsline screening, Dhont talked about the journey of making Girl and addressed the sensitive topic of transgender representation in film.

The seed of Girl was planted nearly a decade ago when Dhont read a newspaper article about a young trans girl named Nora who wanted to be a ballerina but was not allowed in the girls class. Dhont approached Nora about doing a documentary about it. They stayed in contact over the years and the idea went from being a documentary to a narrative feature film.

“What was so good about making it fiction rather than a documentary was that it was not only something for me or for the audience but something for her,” said Dhont. “She could use the film as a tool to talk about something that had happened in her past, but as a tool to let it go — and that was something very important to us.”

Dhont worked with Nora to write the film, but she didnt want her name to be attached to it. In the beginning of the process, he said she wanted to “stay in the shadows.”

“She would write with us but she wouldnt want her name attached because she was at a point in her life where although she was honest with the world and herself, she was at a moment in her life where she really wanted to fit in,” he pointed out.

Nora didnt want to stand out because that would lead to confrontation — and Dhont respected and related to her wishes. At the time, he was 18 and the project became more personal to him. “I wasnt open about my sexuality,” said Dhont. “For a very long time, I tried to fit in a heteronormative society. I recognized that need to fit in when she was talking to me.”

But as the project evolved, so did Nora. She became more vocal about herself and accepted her identity. She had a hand in casting Polster in the role. As his acting debut, Polster was nervous that he would not do her justice, but when she remained on set during his performance, thats when he knew she believed in him.

Transgender issues are a hot-button topic as of late and marginalized groups are watching Hollywood like a hawk when it comes to authentic representation. With Girl, Dhont is aware that he cast a cisgender male in a trans role (they found him in a genderless casting). He is also aware of the “diverse reactions” the film would bring — particularly with the trans community.

“For a part of the trans community, this is a film that is more difficult,” he admits. Dhont says that he is open to having a conversation with anyone regardless of their opinion of the film. “I like that dialogue. I like to talk about the idea of representation and the future of it. For me, thats the most exciting part about it — to share a dialogue with someone that can sometimes have a different opinion. That makes me learn as a person and hopefully a better director.”

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