A former employee of Michael Douglas has described how she says she was sexually harassed by the actor – more than a week after he issued a pre-emptive denial of the claims.
Author and journalist Susan Braudy said Douglas's alleged treatment left her feeling "humiliated".
Her claims include that he performed a sex act in front of her.
The Hollywood star responded by saying: "This is a complete lie, fabrication, no truth in it whatsoever."
His statement came 10 days before Braudy's allegations were published in The Hollywood Reporter.
Douglas explained he "felt the need to get ahead" of the situation and share his concerns about the "nightmare" scenario.
Braudy worked for Douglas's company Stonebridge Productions in the late 1980s.
She claims he used sexual language in front of her, including openly discussing extra-marital affairs, while she was running the firm's New York office.
Braudy also alleges that Douglas commented about her body, which made her then wear loose, dark clothing.
She alleged he masturbated in front of her during a one-on-one script meeting in his apartment in 1989 and that she rushed out, feeling humiliated.
"I realised he thought he could do anything he wanted because he was so much more powerful than I was," she said, adding that she ran home and vowed to never be alone with him again. She finished working for him later that year.
Douglas, who originally spoke to Deadline, said: "I pride myself on my reputation in this business, not to mention the long history of my father and everything else.
"I don't have skeletons in my closet, or anyone else who's coming out or saying this. I'm bewildered why, after 32 years, this is coming out, now."
He also claimed there is no evidence against him and he feared that such accusations could set back the #MeToo movement that has grown in the wake of the Hollywood sexual harassment scandal.
'No due process'
Douglas said: "Being accused, without a chance [to defend yourself] in court. To not even really have the information in front of you, to be able to argue or defend yourself.
"There is no due process, no chance of seeing evidence in front of me from my accuser. It worries me."
Braudy told The Hollywood Reporter she was not surprised by the way Douglas had issued his denial.
She claimed the manner in which he did so was "part of the problem, as is his pretext of victimisation".
She added: "These are some reasons why so many women don't come forward with their stories – Lord knows it's taken 30 years and a movement for me to gather my courage."
So, we guess this means Beyonce and Jay-Z are OK then
The first couple of pop music took the world by surprise by dropping their first album together last..
The first couple of pop music took the world by surprise by dropping their first album together last weekend. As you'd expect, it's a statement.
There is arguably no couple better at controlling their own press than Beyonce and Jay-Z. When a video surfaced in 2014 showing Bey's younger sister Solange attacking her brother-in-law in an elevator, rumours of a strained marriage proliferated.
Rather than battle the tabloids, the spouses used the gossip to fuel the creation of two critically beloved, commercially successful records: Beyonce's Lemonade and Jay-Z's 4:44. And, in them, they offered just as many details about their private lives as they chose.
Now the couple have continued their domination of pop music, surprising the world last Saturday by releasing their joint album Everything Is Love, which is something of a sequel to those two solo records. Though they have collaborated for at least 15 years, this marks their first joint album, which they dropped under the name The Carters.
The record is a victory lap from a couple who have mined their relationship for universal truths and then presented them as art. It's a fierce love letter to success, to family, to blackness – but, most of all, to each other.
Lyrically, it primarily focuses on two aspects of the Carters' lives: their marriage and their success. (more…)
Rachel Griffiths: female characters are finally getting real on screen
Almost a year into the #MeToo era, Rachel Griffiths believes the likes of Mystery Road, Wentworth, P..
Almost a year into the #MeToo era, Rachel Griffiths believes the likes of Mystery Road, Wentworth, Picnic at Hanging Rock and Top of the Lake show that female characters are finally coming of age on Australian screens.
In a spirited speech at the launch of a new state government scheme to support more women directors in television, the actor-turned-director said it was exciting to see female characters move beyond "the typical tropes of 'likable, f—able, adorable'" to "more complex depictions of female experience" recently.
While she acknowledged there were male directors who created fresh and compelling women characters, Griffiths said the "male gaze" often reduced them to colouring the characters of their male counterparts.
"[They are created to] make him hot, make him authentic, make him empathetic, make him fatherly, make him conflicted, make him grieve," she said. "In the male gaze, we are so often not the gatekeepers; we're not the ferryman. Sometimes the mentor but usually only ironically, like Judi Dench's M…
"Under-written and under-observed, brought into our sexual awareness precociously and prepubescent in order to accommodate the male libido.
"Often in television we're used by lazy writers and producers who can think of nothing more interesting this week than 'let's have her have sex with X' or 'discover she's a lesbian – for an episode'."
Griffiths, who is about to begin editing the Melbourne Cup drama Ride Like A Girl after finishing the shoot, endorsed Hollywood star Sandra Bullock's recent comment that it was time for women to "stop being polite" about gender equality. (more…)
Rachel Maddow breaks down on air over Trump immigration policy
US television host Rachel Maddow has broken down on live air as she delivered the latest development..
US television host Rachel Maddow has broken down on live air as she delivered the latest developments in the Trump administration's controversial "zero tolerance" immigration policy.
Maddow, who hosts her own show on MSNBC, was reading from a breaking news release from the Associated Press that revealed government officials have been sending babies and toddlers to what are being called "tender age" shelters in the US.
The youngsters are some of the 2,300 children who have been forcibly separated from their parents at the US-Mexico border since the White House announced a zero-tolerance policy on migrant families in May.
"The AP has just broken some new news," Maddow started.
"Um, this has just come out from the Associated Press, this is incredible. Trump administration have been sending babies and other young children – oh, hold on," she said, her voice breaking.
Maddow attempted to get through the breaking news piece one more time before moving the show over to a guest. "To at least three – three tender age shelters in South Texas. Lawyers and medical providers… I think I'm going to have to hand this off. Sorry."
Maddow took to Twitter shortly after the segment aired to say sorry to her viewers. "Again, I apologise for losing it there for a moment," she wrote. "Not the way I intended that to go, not by a mile."
She also tweeted out what she had been trying to say in her live read, writing out what was presented in the AP story. "Lawyers and medical providers who have visited the "tender age" shelters described play rooms of crying preschool-age children in crisis…" she wrote.
"Decades after the nations child welfare system ended the use of orphanages over concerns about the lasting trauma to children, the administration is standing up new institutions to hold Central American toddlers that the government separated from their parents." (more…)
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