Surprisingly (or not), some people thought that was a dreadful idea. "I'd rather stab myself in the eye with a thousand tiny needles than be in the same room as an ex," wrote one commenter on Seven's casting page on Facebook.
"Take me to Venice, stick us in a gondola so I can drown him and make it look like an accident," wrote another.
"Getting back with an ex is like trying to shove a turd back where it came from," a third noted. "The one that got away did so for a reason. Flush the toilet and move on."
Sage advice, perhaps, but the networks won't be following it any time soon. Though they've been burnt by some relationship shows (The Last Resort, anyone? Kiss Bang Love?), they'll keep going back there in the hope of finding true ratings love.
When it works, it's spectacular. Nine has just enjoyed a blockbuster season of Married at First Sight and its after-show dissection Talking Married was a surprise smash too, the final episode drawing more than 300,000 viewers, the biggest audience ever for its digital channel Nine Life.
Date Night – basically Tinder for television (it even came with its own app) – wasn't anywhere near so successful, but Nine is hoping it's onto a winner with its local remake of the super-trashy UK series Love Island, with Sophie Monk hosting. In a bold move, it is putting the youth-skewing show on Go! rather than its main channel.
Over on Ten, where Monk's search for love (or new sponsorship deals) played out last year, the Bachelor franchise will have three outings – Bachelor in Paradise (now airing), The Bachelor, and Monk's alma mater The Bachelorette.
Also joining the line-up is the Julia Morris-hosted Blind Date, the local version of a UK format that first aired in the 1980s and was successfully revived last year.
(In a neat twist, Blind Date was based on Perfect Match, which first aired on Ten in 1984; Perfect Match was itself based on the American show The Dating Game, which first aired in 1965.)
In short, there will be so much looking for love and salvaging of relationships on our TV screens this year that singles bars and couples therapists might be in for a seriously tough time.
Love it or hate it, TV romance is set to blossom for a good while yet.
Karl has been a journalist at Fairfax Media since 1999, in a variety of writing and editing roles. Karl writes about popular culture with a particular focus on film and television.
Morning & Afternoon Newsletter
So, we guess this means Beyonce and Jay-Z are OK then
The first couple of pop music took the world by surprise by dropping their first album together last..
The first couple of pop music took the world by surprise by dropping their first album together last weekend. As you'd expect, it's a statement.
There is arguably no couple better at controlling their own press than Beyonce and Jay-Z. When a video surfaced in 2014 showing Bey's younger sister Solange attacking her brother-in-law in an elevator, rumours of a strained marriage proliferated.
Rather than battle the tabloids, the spouses used the gossip to fuel the creation of two critically beloved, commercially successful records: Beyonce's Lemonade and Jay-Z's 4:44. And, in them, they offered just as many details about their private lives as they chose.
Now the couple have continued their domination of pop music, surprising the world last Saturday by releasing their joint album Everything Is Love, which is something of a sequel to those two solo records. Though they have collaborated for at least 15 years, this marks their first joint album, which they dropped under the name The Carters.
The record is a victory lap from a couple who have mined their relationship for universal truths and then presented them as art. It's a fierce love letter to success, to family, to blackness – but, most of all, to each other.
Lyrically, it primarily focuses on two aspects of the Carters' lives: their marriage and their success. (more…)
Rachel Griffiths: female characters are finally getting real on screen
Almost a year into the #MeToo era, Rachel Griffiths believes the likes of Mystery Road, Wentworth, P..
Almost a year into the #MeToo era, Rachel Griffiths believes the likes of Mystery Road, Wentworth, Picnic at Hanging Rock and Top of the Lake show that female characters are finally coming of age on Australian screens.
In a spirited speech at the launch of a new state government scheme to support more women directors in television, the actor-turned-director said it was exciting to see female characters move beyond "the typical tropes of 'likable, f—able, adorable'" to "more complex depictions of female experience" recently.
While she acknowledged there were male directors who created fresh and compelling women characters, Griffiths said the "male gaze" often reduced them to colouring the characters of their male counterparts.
"[They are created to] make him hot, make him authentic, make him empathetic, make him fatherly, make him conflicted, make him grieve," she said. "In the male gaze, we are so often not the gatekeepers; we're not the ferryman. Sometimes the mentor but usually only ironically, like Judi Dench's M…
"Under-written and under-observed, brought into our sexual awareness precociously and prepubescent in order to accommodate the male libido.
"Often in television we're used by lazy writers and producers who can think of nothing more interesting this week than 'let's have her have sex with X' or 'discover she's a lesbian – for an episode'."
Griffiths, who is about to begin editing the Melbourne Cup drama Ride Like A Girl after finishing the shoot, endorsed Hollywood star Sandra Bullock's recent comment that it was time for women to "stop being polite" about gender equality. (more…)
Rachel Maddow breaks down on air over Trump immigration policy
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Maddow, who hosts her own show on MSNBC, was reading from a breaking news release from the Associated Press that revealed government officials have been sending babies and toddlers to what are being called "tender age" shelters in the US.
The youngsters are some of the 2,300 children who have been forcibly separated from their parents at the US-Mexico border since the White House announced a zero-tolerance policy on migrant families in May.
"The AP has just broken some new news," Maddow started.
"Um, this has just come out from the Associated Press, this is incredible. Trump administration have been sending babies and other young children – oh, hold on," she said, her voice breaking.
Maddow attempted to get through the breaking news piece one more time before moving the show over to a guest. "To at least three – three tender age shelters in South Texas. Lawyers and medical providers… I think I'm going to have to hand this off. Sorry."
Maddow took to Twitter shortly after the segment aired to say sorry to her viewers. "Again, I apologise for losing it there for a moment," she wrote. "Not the way I intended that to go, not by a mile."
She also tweeted out what she had been trying to say in her live read, writing out what was presented in the AP story. "Lawyers and medical providers who have visited the "tender age" shelters described play rooms of crying preschool-age children in crisis…" she wrote.
"Decades after the nations child welfare system ended the use of orphanages over concerns about the lasting trauma to children, the administration is standing up new institutions to hold Central American toddlers that the government separated from their parents." (more…)
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