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It’s a royal flush but Australia comes up empty handed

Before an eclectic audience of European royalty, Hollywood stars and news media executives, a parade..

Before an eclectic audience of European royalty, Hollywood stars and news media executives, a parade of winners took their bow for the world's oldest television prize – the "golden nymphs" – at the Festival de Télévision de Monte-Carlo.

The festival, which was founded by the tiny principality's late Prince Rainier III in 1961, is now in its 58th year and has, for almost six decades, been ahead of the curve in crowning television over its older, grainier cousin.

This year's Australian nominees included the miniseries Sunshine, actor Anthony LaPaglia and the documentary series The Queen & Zak Grieve, but in a brutal finish all three came away empty handed.

Instead, the UK drama Little Boy Blue, Scottish actor Ewan McGregor, American actor Tony Shalhoub and the Spanish drama La Casa De Papel ("The Money Heist") were among the night's big winners.

American actress Mariska Hargitay – the daughter of iconic film star Jayne Mansfield – was honoured with the festival's lifetime achievement award, the Crystal Nymph.

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Princess Charlene hosted the closing night awards gala at this year's Festival de Télévision de Monte-Carlo.

Photo: AFP

Past Crystal Nymph recipients include Dame Helen Mirren, Jerry Bruckheimer, Donald Sutherland, Patricia Arquette and Marg Helgenberger.

This year's festival guest list included actors Shemar Moore (SWAT), Samira Wiley (The Handmaid's Tale), Eleanor Tomlinson (Poldark), Jason Isaacs (Star Trek: Discovery), Ioan Gruffud (Harrow) and Darren Criss (American Crime Story).

Australian actress Alexandra Park, who stars in the American soap opera The Royals, also attended.

While the focus at the festival is on the Hollywood stars who pepper its red carpets, it also blends an eclectic mix of news industry leaders, Hollywood executives and a sprinkling of European royals including Monaco's reigning Prince Albert and his wife, Princess Charlene.

Prince Albert hosted the festival's VIPs at a cocktail reception earlier this week at the Prince's Palace, built in 1191 as a fortress and occupied by the Grimaldi family since they captured it in 1297.

And the gala dinner which closes the festival was hosted by Princess Charlene, as well as a number of other European royals including the Duke of Castro, Prince Carlo of Bourbon-Two Sicilies, his wife Princess Camilla and their daughters Princess Maria Carolina and Princess Maria Chiara.

Though we came away empty-handed this year, Australia has a historically strong showing at the 58-year-old festival.

Past nominees include The Moodys' Sacha Horler, Wentworth stars Robbie Magasiva and Danielle Cormack, actors Patrick Brammall, Darren Gilshenan and Helen Dallimore, and series as diverse as Top of the Lake and Here Come the Habibs.

This year's three nominees were strong contenders but were edged out in a highly competitive environment.

Sunshine – or Sunshine Kings, as it was known internationally – is a crime thriller set in Melbournes South Sudanese community; it aired on SBS in 2017.

The Queen & Zak Grieve, which was nominated in the documentary program category, explored the controversial imprisonment of Aboriginal man Zak Grieve; it has already been nominated for a Walkley award, a Screen Producers Australia award and the 2017 United Nations Media award.

This year's winners were drawn from a field of 38 nominated programs, representing work from filmmakers and journalists in 18 countries; material from more than 50 countries was submitted to the festival.

Monaco's Prince Rainier III founded the festival as a platform to "encourage a new art form, in the service of peace and understanding between men". It is held in Monaco each June.

The awards – named the Golden Nymphs – are considered to be among the world's most prestigious television awards; the statuette is based on the "Salmacis" Nymph by the Monegasque sculptor Francois Joseph Bosio.

Full list of winners

Long Fiction Program
Little Boy Blue, UK

Actor in a Long Fiction Program
Ewan McGregor (Fargo)

Actress in a Long Fiction Program
Sinéad Keenan (Little Boy Blue)

Comedy TV Series
The End of the F***ing World, UK

Actor in a Comedy TV Series
Tony Shalhoub (The Marvelous Mrs Maisel)

Actress in a Comedy TV Series
Daisy May Cooper (This Country)

Drama TV Series
La Casa De Papel ("The Money Heist"), Spain

Actor in a Drama TV Series
Johannes Lassen (Gidseltagningen)

Actress in a Drama TV Series
Lynn Van Royen (Beau Séjour)

Documentary Program
FN Och Övergreppen ("Abuse and the UN"), Sweden

News Jury Prize
Mosul, UK

Television News Item
Libya Slave Auction, CNN International, USA/UK/Libya

Live Breaking News
Zimbabwe, BBC News, UK

Prix de l'audience internationale award for most watched action series
Scorpion, USA

Prix de l'audience internationale award for most watched drama series
Lethal Weapon, USA

Prix de l'audience internationale award for most watched telenovela
The Bold and the Beautiful, USA

Prix Spécial du Prince Rainier III
Forest Blind, South Korea, and
A Plastic Whale, Sky News, UK

Michael Idato

Michael Idato is a Senior Writer based in Los Angeles for The Sydney Morning Herald.

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So, we guess this means Beyonce and Jay-Z are OK then

The first couple of pop music took the world by surprise by dropping their first album together last..

The first couple of pop music took the world by surprise by dropping their first album together last weekend. As you'd expect, it's a statement.

There is arguably no couple better at controlling their own press than Beyonce and Jay-Z. When a video surfaced in 2014 showing Bey's younger sister Solange attacking her brother-in-law in an elevator, rumours of a strained marriage proliferated.

Rather than battle the tabloids, the spouses used the gossip to fuel the creation of two critically beloved, commercially successful records: Beyonce's Lemonade and Jay-Z's 4:44. And, in them, they offered just as many details about their private lives as they chose.

Beyonce and Jay-Z on stage in France for the 2014 On the Run tour.

Photo: Rob Hoffman

Now the couple have continued their domination of pop music, surprising the world last Saturday by releasing their joint album Everything Is Love, which is something of a sequel to those two solo records. Though they have collaborated for at least 15 years, this marks their first joint album, which they dropped under the name The Carters.

The record is a victory lap from a couple who have mined their relationship for universal truths and then presented them as art. It's a fierce love letter to success, to family, to blackness – but, most of all, to each other.

Artwork for the album Everything is Love by The Carters, aka Beyonce and Jay-Z.

Photo: Karl Quinn

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Lyrically, it primarily focuses on two aspects of the Carters' lives: their marriage and their success. (more…)

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Rachel Griffiths: female characters are finally getting real on screen

Almost a year into the #MeToo era, Rachel Griffiths believes the likes of Mystery Road, Wentworth, P..

Almost a year into the #MeToo era, Rachel Griffiths believes the likes of Mystery Road, Wentworth, Picnic at Hanging Rock and Top of the Lake show that female characters are finally coming of age on Australian screens.

In a spirited speech at the launch of a new state government scheme to support more women directors in television, the actor-turned-director said it was exciting to see female characters move beyond "the typical tropes of 'likable, f—able, adorable'" to "more complex depictions of female experience" recently.

Happy to see "more complex depictions of female experience": Rachel Griffiths (left) with Leah Purcell at the launch of #SheDirects.

Photo: Louie Douvis

While she acknowledged there were male directors who created fresh and compelling women characters, Griffiths said the "male gaze" often reduced them to colouring the characters of their male counterparts.

"[They are created to] make him hot, make him authentic, make him empathetic, make him fatherly, make him conflicted, make him grieve," she said. "In the male gaze, we are so often not the gatekeepers; we're not the ferryman. Sometimes the mentor but usually only ironically, like Judi Dench's M…

"Under-written and under-observed, brought into our sexual awareness precociously and prepubescent in order to accommodate the male libido.

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"Often in television we're used by lazy writers and producers who can think of nothing more interesting this week than 'let's have her have sex with X' or 'discover she's a lesbian – for an episode'."

Griffiths, who is about to begin editing the Melbourne Cup drama Ride Like A Girl after finishing the shoot, endorsed Hollywood star Sandra Bullock's recent comment that it was time for women to "stop being polite" about gender equality. (more…)

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Enviroment

Rachel Griffiths: female characters are finally getting real on screen

Almost a year into the #MeToo era, Rachel Griffiths believes the likes of Mystery Road, Wentworth, P..

Almost a year into the #MeToo era, Rachel Griffiths believes the likes of Mystery Road, Wentworth, Picnic at Hanging Rock and Top of the Lake show that female characters are finally coming of age on Australian screens.

In a spirited speech at the launch of a new state government scheme to support more women directors in television, the actor-turned-director said it was exciting to see female characters move beyond "the typical tropes of 'likable, f—able, adorable'" to "more complex depictions of female experience" recently.

Happy to see "more complex depictions of female experience": Rachel Griffiths (left) with Leah Purcell at the launch of #SheDirects.

Photo: Louie Douvis

While she acknowledged there were male directors who created fresh and compelling women characters, Griffiths said the "male gaze" often reduced them to colouring the characters of their male counterparts.

"[They are created to] make him hot, make him authentic, make him empathetic, make him fatherly, make him conflicted, make him grieve," she said. "In the male gaze, we are so often not the gatekeepers; we're not the ferryman. Sometimes the mentor but usually only ironically, like Judi Dench's M…

"Under-written and under-observed, brought into our sexual awareness precociously and prepubescent in order to accommodate the male libido.

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"Often in television we're used by lazy writers and producers who can think of nothing more interesting this week than 'let's have her have sex with X' or 'discover she's a lesbian – for an episode'."

Griffiths, who is about to begin editing the Melbourne Cup drama Ride Like A Girl after finishing the shoot, endorsed Hollywood star Sandra Bullock's recent comment that it was time for women to "stop being polite" about gender equality. (more…)

Continue Reading

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