The winter months will be warmed by some massive tours.
Nothing is warmer in winter than a concert venue full of expectant fans. The coming months bring a succession of major tours, beginning with hip-hop's crowning talent Kendrick Lamar. The former Compton kid kicks off his Australian tour in Perth on July 10, and plays Rod Laver Arena, Melbourne on July 13 and 14 and Qudos Bank Arena, Sydney on July 24 and 25 (full dates: livenation.com.au). Pink's latest mammoth schedule also begins in Perth on July 3 and includes 11 shows at Rod Laver Arena between July 16 and August 29, with nine shows at Qudos Bank Arena, Sydney between August 3 and 26 (full dates livenation.com.au). The iconic (and unpredictable) Bob Dylan brings nearly 60 years of music to bear at the Margaret Court Arena, Melbourne on August 13 and 14, before playing the ICC Theatre, Sydney on August 18, in another tour that begins in Perth (August 3) before moving around the country (dates: chuggentertainment.com). One of rock music's fiercest – and most reliably creative – outfits, the Josh Homme-fronted Queens of the Stone Age will light up the Hordern Pavilion, Sydney on August 31 and September 1 and Margaret Court Arena, Melbourne on September 7 and 8 (dates: frontiertouring.com). Expect some sweat.
ALBUM OF THE WEEK
Indie-rock has gone through a full circle of innovation, organisation, derivation, and ossification over the past 25 years, emerging back at the beginning with a new generation of young and predominantly female practitioners making their mark. Prominent amongst them is Snail Mail, the moniker of 19-year-old Lindsey Jordan. On her debut album, the Baltimore singer-songwriter brings vibrancy and telling detail to the guitar, bass, and drums format. There's no room for teenage moping in these songs, with the likes of Stick and Speaking Terms wringing the calmly cathartic from the mid-tempo confessional, while Jordan's classical guitar training provides persistent sparks with tender, tingling chord patterns. There are moments that drift, but mostly Lush delivers on Snail Mail's tangible promise.
Hope Downs – Rolling Blackouts Coastal Fever
Liberation – Christina Aguilera
Trans-Europe Express – Kraftwerk
Craig Mathieson has been the film critic for The Sunday Age since March 2012, having previously held the same position for Rolling Stone and The Bulletin. The former magazine editor writes widely on film, music and television, and is still able to quote sizeable chunks of the dialogue from Michael Mann's Heat.
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So, we guess this means Beyonce and Jay-Z are OK then
The first couple of pop music took the world by surprise by dropping their first album together last..
The first couple of pop music took the world by surprise by dropping their first album together last weekend. As you'd expect, it's a statement.
There is arguably no couple better at controlling their own press than Beyonce and Jay-Z. When a video surfaced in 2014 showing Bey's younger sister Solange attacking her brother-in-law in an elevator, rumours of a strained marriage proliferated.
Rather than battle the tabloids, the spouses used the gossip to fuel the creation of two critically beloved, commercially successful records: Beyonce's Lemonade and Jay-Z's 4:44. And, in them, they offered just as many details about their private lives as they chose.
Now the couple have continued their domination of pop music, surprising the world last Saturday by releasing their joint album Everything Is Love, which is something of a sequel to those two solo records. Though they have collaborated for at least 15 years, this marks their first joint album, which they dropped under the name The Carters.
The record is a victory lap from a couple who have mined their relationship for universal truths and then presented them as art. It's a fierce love letter to success, to family, to blackness – but, most of all, to each other.
Lyrically, it primarily focuses on two aspects of the Carters' lives: their marriage and their success. (more…)
Rachel Griffiths: female characters are finally getting real on screen
Almost a year into the #MeToo era, Rachel Griffiths believes the likes of Mystery Road, Wentworth, P..
Almost a year into the #MeToo era, Rachel Griffiths believes the likes of Mystery Road, Wentworth, Picnic at Hanging Rock and Top of the Lake show that female characters are finally coming of age on Australian screens.
In a spirited speech at the launch of a new state government scheme to support more women directors in television, the actor-turned-director said it was exciting to see female characters move beyond "the typical tropes of 'likable, f—able, adorable'" to "more complex depictions of female experience" recently.
While she acknowledged there were male directors who created fresh and compelling women characters, Griffiths said the "male gaze" often reduced them to colouring the characters of their male counterparts.
"[They are created to] make him hot, make him authentic, make him empathetic, make him fatherly, make him conflicted, make him grieve," she said. "In the male gaze, we are so often not the gatekeepers; we're not the ferryman. Sometimes the mentor but usually only ironically, like Judi Dench's M…
"Under-written and under-observed, brought into our sexual awareness precociously and prepubescent in order to accommodate the male libido.
"Often in television we're used by lazy writers and producers who can think of nothing more interesting this week than 'let's have her have sex with X' or 'discover she's a lesbian – for an episode'."
Griffiths, who is about to begin editing the Melbourne Cup drama Ride Like A Girl after finishing the shoot, endorsed Hollywood star Sandra Bullock's recent comment that it was time for women to "stop being polite" about gender equality. (more…)
Rachel Maddow breaks down on air over Trump immigration policy
US television host Rachel Maddow has broken down on live air as she delivered the latest development..
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Maddow, who hosts her own show on MSNBC, was reading from a breaking news release from the Associated Press that revealed government officials have been sending babies and toddlers to what are being called "tender age" shelters in the US.
The youngsters are some of the 2,300 children who have been forcibly separated from their parents at the US-Mexico border since the White House announced a zero-tolerance policy on migrant families in May.
"The AP has just broken some new news," Maddow started.
"Um, this has just come out from the Associated Press, this is incredible. Trump administration have been sending babies and other young children – oh, hold on," she said, her voice breaking.
Maddow attempted to get through the breaking news piece one more time before moving the show over to a guest. "To at least three – three tender age shelters in South Texas. Lawyers and medical providers… I think I'm going to have to hand this off. Sorry."
Maddow took to Twitter shortly after the segment aired to say sorry to her viewers. "Again, I apologise for losing it there for a moment," she wrote. "Not the way I intended that to go, not by a mile."
She also tweeted out what she had been trying to say in her live read, writing out what was presented in the AP story. "Lawyers and medical providers who have visited the "tender age" shelters described play rooms of crying preschool-age children in crisis…" she wrote.
"Decades after the nations child welfare system ended the use of orphanages over concerns about the lasting trauma to children, the administration is standing up new institutions to hold Central American toddlers that the government separated from their parents." (more…)
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