Big Brother, one of the original UK reality TV shows, will return to screens in 2023, years after being axed by both Channel 4 and later Channel 5.
The show, which launched careers of ITV presenter Alison Hammond and Radio 1 DJ Adele Roberts, will be revived by ITV2 and new streaming platform ITVX.
A promotional video aired during the Love Island series finale on Monday evening.
Officials said the famous house will return with a “contemporary new look”.
The returning programme – which was originally on for 18 years – will see a cast of “carefully selected housemates from all walks of life” live together under strict surveillance for up to six weeks.
Similar to previous editions, the public will regularly vote contestants off in live evictions, as well as deciding on an overall cash prize winner.
“We’re beyond excited to bring this iconic series to ITV2 and ITVX where it should especially engage with our younger viewers.”
The series, which takes its name from the all-seeing ruler in George Orwell’s novel, Nineteen Eighty-Four, first appeared on Channel 4 in 2000, and was won by Liverpudlian builder Craig Phillips.
It was influential, both as a public social experiment and also in creating a new form of celebrity, with normal people prepared to have their every waking (and sleeping) moment caught on camera and broadcast to the world.
Celebrity editions aired, featuring the likes of Katie Price, Gemma Collins and Mark Owen.
Despite its early success and influence, the National TV Award-winning programme soon found itself embroiled in controversy over reports of bullying, racism, fixing, and general toxic behaviour in the house, with complaints being made to both the police and Ofcom.
The show moved to Channel 5 in 2011 but was axed in 2018 amid a ratings slump. Channel 5 controller Ben Frow later said he had no regrets over the decision and that the media landscape had become “very crowded with reality shows”.
‘Jumping the shark’
Speaking on the BBC Sounds Podcast, Unreal: A Critical History of Reality TV, this summer, Big Brother’s creative director Philip Edgar-Jones said audiences “very clearly hated it” when producers intervened in the programme too much.
“We call it ‘jumping the shark’ in television, when you the hand of the producer is too overt and you feel like the show has therefore lost that sense of authenticity – that’s when the audience gets more angry.
“Being authentic to the show, you create this world with its own internal logic, and you can’t break that internal logic, otherwise you break the magic and you lose the trust of the audience.”
At the time, Big Brother producers said they were open to “future possibilities”, apparently leaving the door open for a return one day.
Irish singing duo Jedward, the identical twin brothers who twice appeared on the celebrity version of the show, have made an early bid online to host the returning series.
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007 film must treat Bond girls properly, says Waller-Bridge
Fast cars, martinis and Bond girls are core parts of the formula for 007 films, but one of those ele..
Fast cars, martinis and Bond girls are core parts of the formula for 007 films, but one of those elements is set for a change in the latest adventure.
Fleabag creator Phoebe Waller-Bridge, who is working on the script for the 25th Bond film, is on a mission to make sure the movie will "treat women properly" – even if the spy does not.
Ahead of the release of the as-yet-untitled film, Waller-Bridge told Deadline: "There's been a lot of talk about whether or not (the Bond franchise) is relevant now because of who he is and the way he treats women.
"I think that's b*******. I think he's absolutely relevant now. It has just got to grow.
"It has just got to evolve, and the important thing is that the film treats the women properly.
"He doesn't have to. He needs to be true to this character."
Waller-Bridge says she intends to ensure the female characters, including those played by Lashana Lynch, Lea Seydoux and Ana de Armas, feel "like real people ".
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She added: "I just want to make sure that when they get those pages through, that Lashana, Lea and Ana open them and go, 'I can't wait to do that'.
Sir Elton hits out at Russia for ‘cruel’ Rocketman censorship
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Sir Elton John has criticised Russian censors for cutting gay sex scenes from the hit musical biopic Rocketman.
The critically acclaimed film charts the British singer's rise to fame, and its scenes of kissing and sex between men, as well as drug use, contributed to it earning a 15 certificate in the UK.
But in a bid to play down the sexuality of Sir Elton, played by actor Taron Egerton, for a conservative Russian audience, an estimated five minutes of footage was reportedly removed ahead of its debut in Moscow.
The Moscow Times quoted a Russian film critic who had seen the film at its world premiere in Cannes on 16 May as saying "all scenes with kissing, sex and oral sex between men have been cut", as well as a photo displayed during the end credits featuring Sir Elton and his husband David Furnish.
Sir Elton, 72, a prominent gay rights campaigner, released a joint statement with the makers of the film to accuse censors of being "cruelly unaccepting of the love between two people".
"We reject in the strongest possible terms the decision to pander to local laws and censor Rocketman for the Russian market, a move we were unaware of until today," they said.
"That the local distributor has edited out certain scenes, denying the audience the opportunity to see the film as it was intended, is a sad reflection of the divided world we still live in and how it can still be so cruelly unaccepting of the love between two people.
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